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The transfer first debuted from Camera Obscura and retained for the Arrow edition looks excellent and has a nice grain structure throughout, while colors and detail are very healthy and impressive.

The strange career tangent taken by famous Andy Warhol Factory icon Joe Dallesandro in Europe is a wild toy chest of surprises still left to be discovered, but a bigger picture of his output there has been slowly coming to light with a number of Blu-ray and DVD releases around the world highlighting his work in crime films Season for Assassins, , gialli , and whatever is.

The aftermath of his ultimately fatal attack is witnessed by Fabio Santamaria 's Cerusico , who's gone out for a quiet afternoon of solitary fishing.

35:1 16:9 COLT 38 SPECIAL SQUAD Color, 1976, 102 mins.

Dallamano gives the film a slick look with snappy scope framing and sparing but effective use of star filters to give it a little extra '70s gloss, and the soundtrack is a real joy including some Grace Jones contributions obviously from the same Cipriani sessions later used in Umberto Lenzi's.

The Arrow release ditches the commentary but ports over both of the featurettes and adds, rather humorously, a poster gallery with a singular image.

The Arrow manages to pull off a nice coup by featuring not only the Italian subtitled track but adding the very rare English dub as well, which is utterly ridiculous and great to finally behold.

They also chat about the various cast members including Dallesandro, who was cast for his "somewhat weird face" and Warhol credentials despite the language barrier with no one else speaking English.

A DVD release of this film popped up in Italy with no English-friendly options in 2011, but a deluxe edition popped up in 2017 from Camera Obscura, in separate Blu-ray or DVD variants.

That turns out to be a very bad call indeed when Ranieri goes to the authorities instead and fingers Santamaria as the culprit, with the increasingly traumatized innocent man resorting to shaving off his mustache and altering evidence to try to save his own hide.

The subject matter could have easily made this a straight giallo or an homage to Hitchcock's wrong man formula, but director Vittorio Salerno with Enrico Maria Salerno cast here again in a juicy role as a stogie-chomping reporter has quite a bit more on his mind as the circumstances dragging out hero deeper into the flawed legal system also represent the growing social divisions within Italy and the rest of the world, a theme sadly all too relevant today.

Things escalate when the trio takes a female hostage after one stickup and winds up terrorizing and murdering her in a bathtub, after which they decide to set their sights on the local hooker population.